Narrative, truth and impact: Highlights from the Thessaloniki Documentary Festival
Reflections on the relationship between journalism and documentary, one that is neither simple nor coincidental. On the contrary, tools and perspectives are constantly shared across the two fields.
AI and the Future of News: Key takeaways from the RISJ Conference
Key takeaways from this year’s AI and the Future of News conference, hosted by the Reuters Institute for the Study of Journalism on March 17.
Sources at risk: How U.S. independent newsrooms guard them under Trump
With a media-hostile administration aggressively enforcing law enforcement mechanisms, independent news outlets across the US are rethinking how they manage their sources and material.
Media Hat: Τested this month
Every month we pull together tools, research, and ideas for journalists wearing… many hats.
“Consultocracy”: A tool to investigate consulting services in the Greek public sector
Vouliwatch and Solomon speak to iMEdD about their new joint investigation and the platform designed to serve as a tool for mapping and monitoring the data for anyone interested.
Sudan, the black hole of journalism
Sudanese journalists who have been forced to flee the country, international reporters, researchers, and experts speak to iMEdD about the challenges of covering the civil war, explaining how, beyond the cities themselves, even information is under siege.
Media Hat: A good month to try something new
iMEdD's monthly column with tools, resources, and ideas that meet the needs of journalists.
Documenting history: Ron Haviv on one’s visual truth
One of the most consequential conflict photojournalists of our era, Ron Haviv, talked with us about how his photographs have contributed to the downfall of dictators, assisted war crimes tribunals, and led the way for the representation of conflict for the world.
Media Hat: The slow down edition
Every month we pull together tools, research, and ideas for journalists wearing… many hats.
Turning points, censorship and technological change: Dust from the ’50s
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